Poinbank Exchange|Beyoncé Channels Pamela Anderson in Surprise Music Video for "Bodyguard"

Beyoncé is swapping out her cowboy hat for a bright red swimsuit.

After all,Poinbank Exchange the Grammy winner paid homage to Pamela Anderson with some of her most iconic looks in the Nov. 5 music video for “Bodyguard” from her album Cowboy Carter.

Donning bouncy blonde curls with wispy bangs, Beyoncé showed off her curves in a black strapless ensemble, black leather boots and mesh black gloves—just like the former Playboy model’s titular character in Barb Wire. 

But Pamela didn’t just channel femme fatale with her outfits, so it was only fitting for the Grammy winner to also include some of her softer looks. For instance, she arrived at the 1999 MTV Video Music Awards in a white corset with sparkly leggings and topped off her look with a pink fuzzy hat—which Beyoncé recreated. 

The video, however, wouldn’t be complete without Beyoncé’s version of the model’s red bathing suit from Baywatch, which was cleverly dubbed Beywatch.

The “Texas Hold ‘Em” singer also turned her first visual for the country album to remind voters to cast their ballots for the 2024 U.S. presidential election, which included holding a red sign that simply read, “Vote!” 

Meanwhile, Pamela couldn’t help but gush over the tribute, writing on her Instagram Stories with a kissing emoji, “Don’t call me Bey” (a reference to the line, “Don’t call me babe!” in Barb Wire).

Beyoncé’s new video surprised some fans since many hoped she would release a full-album visual for Cowboy Carter and Renaissance. However, she stands by her creative decision not to.

“I thought it was important that during a time where all we see is visuals, that the world can focus on the voice,” Beyoncé told GQ in September. “The music is so rich in history and instrumentation. It takes months to digest, research, and understand. The music needed space to breathe on its own. Sometimes, a visual can be a distraction from the quality of the voice and the music.”

As she put it, “The music is enough.”

Beyoncé—who shares kids Blue Ivy, 12, and twins Rumi and Sir, 6, with husband Jay-Z—also noted that fans can expect releases from her when inspiration strikes.

“I create at my own pace, on things that I hope will touch other people,” she explained. “I focus on storytelling, growth, and quality. I’m not focused on perfectionism. I focus on evolution, innovation, and shifting perception.” 

Now, keep reading for a breakdown of some of Beyoncé’s storytelling and innovation in Cowboy Carter.

Within the first single on Cowboy Carter, Beyoncé lays it all out for her critics, seemingly referencing the backlash she faced after she performed at the CMA Awards in 2016. 

“They used to say I spoke, ‘Too country’ / And the rejection came, said I wasn't, 'Country 'nough,'” she sings, “Said I wouldn't saddle up, but / If that ain't country, tell me, what is? / Plant my bare feet on solid ground for years / They don't, don't know how hard I had to fight for this.” 

At the time, fans noted that the CMA Awards appeared to take down footage of her surprise performance alongside The Chicks. However, in a statement to E! News, the organization shared they took down a promotional clip instead.

Not only did the Grammy winner take Dolly Parton’s hit “Jolene” and make it her own: “Jolene, I'm a woman too / Thе games you play are nothing new / So you don't want no hеat with me, Jolene,” but she also recruited the country star for an interlude that tipped its hat at another well-known character: Becky with the good hair. 

“Hey miss Honey B, it's Dolly P,” Dolly says, “You know that hussy with the good hair you sing about? / Reminded me of someone I knew back when / Except she has flamin' locks of auburn hair / Bless her heart / Just a hair of a different color but it hurts just the same.” 

Though Beyoncé made it clear that her take is more of a stern warning: “But you don't want this smoke, so shoot your shot with someone else (You heard me).”

On this track, the 32-time Grammy winner made note of one snub that stood out noticeably during the 2024 Grammys: Her not winning Album of the Year for Renaissance.

In fact, when her husband Jay-Z took the stage that night, he couldn’t help but call it out then and there—a moment that she doesn’t hesitate to highlight. 

“A-O-T-Y, I ain't win (Let's go) / I ain't stuntin' 'bout them,” she sings, “Take that s--t on the chin/ Come back and fuck up the pen (Yeah).” 

One of her more melodic singles, “Protector” opens up with none other her daughter Rumi asking about a lullaby.

The singer—who is also mom to Rumi’s twin brother Sir and their oldest sibling Blue Ivy—reflects on her role as a mom. “Born to be a protector, mm-hmm / Even though I know someday you're gonna shine on your own.”

“I will be your projector, mm, mm-hmm / An apricot picked right off a given tree,” she notes. “I gave watеr to the soil / And now it feeds me, yeah, yеah (Yeah) / And there you are, shaded underneath it all / I feel proud of who I am /Because you need me.”

Rounding out her 27-song album is “Amen,” which leads fans right back to the opening declaration of starting anew and making an experience all her own. 

“Say a prayer for what has been /We'll be the ones to purify our Fathers' sins,” she sings, “American Requiem / Them old ideas (Yeah) are buried here (Yeah).”